GHOSTWOMAN

The Hare And Hounds, Birmingham.

GHOSTWOMAN

This event is for 18 and over - No refunds will be issued for under 18s.

Ticket type Cost (face value)? Quantity
GENERAL ADMISSION £18.75 (£16.50)

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GHOSTWOMAN itself only exists because Uschenko and van Dessel were the ones “stupid enough to commit to it”. Conceived by Uschenko after cutting his teeth as a touring multi-instrumentalist, the project was brought to life in an abandoned farmhouse in Diamond City, Alberta. There, for two months, he would make the self-released, self-titled debut album which was produced and dubbed directly to custom-made cassette tapes. The music has always been beautifully inhospitable, earned only by those curious enough to seek it out.

GHOSTWOMAN became a head-on collision between the switchblade rust of his guitars and her caustic drum beats which march them on toward a shared oblivion.
Welcome to the Civilized World is an album to be a pure distillation of their shared vision. From its earliest sketch to its final form, the only people to touch it were GHOSTWOMAN themselves.

Musically, GHOSTWOMAN are a sharper beast than ever: hypnotic spells of psych-grunge, decaying Americana and instrumental locked-horns. Uschenko, who presides over the vocals, insists they are not important. Much of the lyrics are nonsense, not written as much as abstractly sketched to feel out the shape of the music itself – but even in Uschenko’s dream grammar, the force and feeling are no less potent. 

The band’s process is intuitive rather than calculated; sounds are made in a chain reaction to one another. “5 Gold Pieces”, with its filthy guitars and snarling, livewire vocals was recorded as a test after they bought a tape machine. The first shot is often the best, and that test is what you hear today. Everything they used to record is gone. “We buy old equipment or instruments which have a bunch of life and soul in it until we’ve used it all up, and then sell it again so we can buy something else,” explains Van Dessel.

Welcome to the Civilized World is not concerned with making music for an audience, not for the music industry and not for any particular point other than the thrill of it. Nothing matters, we are all doomed, the sun will swallow the earth and our efforts turn to dust anyway. The band will continue to play as the ship goes down.